卡洛·卡拉(Carlo Carra)高清作品《追捕》

作品名：追捕

原名：恩塞维门托

艺术家：卡洛·卡拉

年代：1915

风格：立体主义,未来主义

类型：比喻

介质：木炭,拼贴,硬纸板,彩画

尺寸：39 x 68 cm

收藏：Peggy Guggenheim收藏，威尼斯，意大利

随着大战的爆发，在菲利普·托马索·马里内蒂的激励下，一些未来主义者甚至在意大利加入法英战争（1915年5月）之前就把注意力转向了战争题材。这幅拼贴画描绘了一个奔驰的骑兵军官，穿着长短靴、一条红裤子和一个圆柱形头盔。报纸剪报的使用和模板的信件再一次证明了卡洛卡尔与巴黎立体主义的密切联系。这匹马的前面写着JOFFRE，这是1914年9月5日至12日赢得马恩战役的法国将军的名字。其他剪辑（例如，电影院和MORITZ）在娱乐和体育方面表现出不和谐的音符，并引入了含糊和讽刺的元素。这匹马似乎比追捕堆积的垃圾更不容易去追赶敌人。这种解释可能与卡拉对反讽力量的觉知已经弥漫于某些巴黎艺术圈有关，并且随着他对未来派的关注逐渐转向“塑料价值”和精神内容，而这些正是导致他于1915年放弃这场运动的原因。

Title:Pursuit

Original Title:Inseguimento

artist:Carlo Carra

Date:1915

Style:Cubism,Futurism

Genre:figurative

Media:charcoal,collage,cardboard,tempera

Dimensions:39 x 68 cm

Location:Peggy Guggenheim Collection, Venice, Italy

With the outbreak of the Great War, several of the Futurists, spurred by Filippo Tommaso Marinetti, turned their attention to war subjects, even before Italy entered the war on the side of the French and British (May 1915). This collage depicts a galloping cavalry officer, with knee-length boots, a red trousers and a cylindrical helmet. The use of newspaper clippings, and stenciled letters, testifies once more to Carlo Carràs close ties to Parisian Cubism. The horse is preceded by the letters JOFFRE, the name of the French General who won the Battle of the Marne between September 5-12, 1914. Other clippings (Cinemas and MORITZ, for example) strike a discordant note of entertainment and sport and introduce an element of ambiguity and irony. The horse does indeed seem less in pursuit of the enemy than wading through encumbering garbage. The explanation may rest with Carràs awareness of the force of irony already pervading certain Parisian art circles, and with his growing distraction from Futurist concerns in favor of “plastic values” and spiritual content that was to lead to his abandonment of the movement in 1915.