让·梅金杰(Jean Metzinger)高清作品《Composition allégorique》

作品名：Composition allégorique

艺术家：让·梅金杰

年代：1929

风格：立体主义

类型：寓言画

随着结构形式的简化，在日益机械化的社会中使用与工业化世界相关的部件；梅金杰的后立体主义风格不需要提及过去，但他选择了这样做。这是艺术家们将“短暂”与“永恒”融合起来的方式，也是他向老大师（尤其是Ingres，还有那些文艺复兴时期的艺术家）致敬的方式。梅辛格的代表性技巧被工业化有效地改变了；某种东西反映了组成杂烩的动态辉煌，作为朝向动态和变化的世界的基本重定向的一部分。基本几何形式与内在美的联系以及日益增长的工业生产的影响已经被Jean Metzinger实用地编纂成法典。“先锋派”的称谓不仅仅留给达达、纯粹主义、德斯蒂尔、新塑性、包豪斯或超现实主义的创始人。Metzinger当时也是一个创新者。

Title:Composition allégorique

artist:Jean Metzinger

Date:1929

Style:Cubism

Genre:allegorical painting

With the simplification of constructed forms, the use of components associated with the industrialized world in an increasingly mechanized society; Metzingers Post-Cubism style needed not refer to the past, yet he chose to do so. It was the artists way of fusing the transient with the eternal. It was his way, in doing so, of rendering homage to the old masters (particularly Ingres, but also those artists of the Renaissance). Metzingers representational techniques were effectively transformed by industrialization; something reflected the dynamic brilliance of Composition allégorique, as part of a fundamental reorientation towards a dynamic and changing world. The linking of elementary geometrical forms with inherent beauty, and the influence of a growing industrial production had been pragmatically codified by jean Metzinger. The appellation of avant-garde was not to be solely left to the founders of Dada, Purism, De Stijl, Neo-Plasticism, Bauhaus, or to Surrealism. Metzinger then too had been an innovator.