乔治·莱门(Georges Lemmen)高清作品《在海斯特海滩》

作品名：在海斯特海滩

原名：在抢劫范围

艺术家：乔治·莱门

年代：c.1891

风格：点彩

类型：玛丽娜

介质：油画,木质

尺寸：X 45.7 37.5厘米

收藏：Muséd orsay，Paris，France

19世纪80年代后半叶，乔治·索拉特和其他新印象派画家在布鲁塞尔的XX沙龙展出画作后，几位比利时画家转变为点画和色彩的光学混合。ESE爱好者。大约十年来，他逐渐放松了索拉特的理论，开发了一种独创的技术，尤其适用于肖像画和风景画。1891年后，在同胞亨利·范·德·维尔德的影响下，他的画展现了一种“新艺术”的风格，海斯特海滩就是一个显著的例子。

Title:Beach at Heist

Original Title:Plage à Heist

artist:Georges Lemmen

Date:c.1891

Style:Pointillism

Genre:marina

Media:oil,wood

Dimensions:37.5 x 45.7 cm

Location:Musée dOrsay, Paris, France

In the second half of the 1880s, after Georges Seurat and other Neo-Impressionists had exhibited their paintings at the Salon des XX in Brussels, several Belgian artists were converted to pointillism and the optical mixture of colours.The painter George Lemman, then scarcely twenty, was among these enthusiasts. For about a decade, gradually loosening Seurats theories, he developed an original technique, applied more particularly to portraits and landscapes. After 1891, under the influence of his fellow countryman Henri Van de Velde, his paintings showed an Art Nouveau stylisation of which the Beach at Heist is a remarkable example.