帕特里克·赫伦(Patrick Heron)高清作品《紫罗兰、红宝石、绿宝石、柠檬和威尼斯的镉》

作品名：紫罗兰、红宝石、绿宝石、柠檬和威尼斯的镉

艺术家：帕特里克·赫伦

年代：1969

风格：画后抽象

类型：抽象

介质：油画

收藏：泰特现代，伦敦，英国

在一封信（日期为1986年7月14日）中，这位艺术家写道：1967年夏天，我在拉莫纳湾的一次涉及独木舟的事故中严重摔断了右腿。我的整条腿用石膏包扎了9个月，其中4个月我后来发现外科医生打算在膝盖处截肢。结果，我几乎一年没能画一幅画布，这与纸上的画不同，纸上的画可以坐着完成。当我终于重新开始绘画画画布时，出于某种原因，我决定大大地扩大画布的规模，着手画一系列长度为9、11、13甚至15英尺的画。这幅画是该系列画中的一幅，所有的作品都是1970年1月在沃丁顿位于科克街2号的原始画廊展出的，当然，在那里，画作的空间有些狭窄。

Title:Cadmium with Violet, Scarlet, Emerald, Lemon and Venetian

artist:Patrick Heron

Date:1969

Style:Post-Painterly Abstraction

Genre:abstract

Media:oil

Location:Tate Modern, London, UK

In a letter (dated 14 July 1986), the artist wrote: In the summer of 1967 I broke my right leg very badly in an accident in the sea at Lamorna Cove involving a canoe. My entire leg was encased in plaster for nine months - for four of which I afterwards discovered the surgeon had contemplated amputation at the knee. As a result I was unable to paint a single canvas for nearly a year - as distinct from works on paper, which could be done in a sitting position. When I finally started painting canvases again I for some reason decided very greatly to enlarge their scale, setting to work on a series of paintings measuring nine, eleven, thirteen and even fifteen feet in length. This painting was one of that series, all of which were exhibited in January 1970 at Waddingtons original gallery at number 2, Cork Street, where they were slightly cramped for space, of course.