维克多帕斯莫尔(Victor Pasmore)高清作品《文摘》

作品名：文摘

艺术家：维克多帕斯莫尔

年代：1960—1961

风格：色域绘画

类型：抽象

介质：油画,铝

收藏：泰特现代，伦敦，英国

尽管赭色，这幅作品还是在1961年3月帕斯莫尔在新伦敦美术馆的展览中以摘要的形式展出；这位艺术家后来解释说：“赭色可以是的。”但是比赭石更富有诗意。大多数的图像是由装饰者的光泽涂料在蛋壳白色地面上形成的。地面在面板的边缘和脸部的某些区域是可见的。与通常的高光泽度相比，艺术家稍后在赭石菱形的左边和中心顶部的修饰区域具有光泽；主白漆层的稍微泛黄使它们更加明显。沿着赭石形状的右手边可以看到铅笔底画，而宽阔的黑线则借助于遮蔽胶带来绘制。在耙光下拍摄的照片显示，赭石形状一度向上逐渐变细，几乎达到主面板的顶部，但随后被粉刷过。胶合板安装在一个上光的松木框架内，其内表面衬有木单板，以匹配背板上的木单板。面板通过螺钉从背面固定到四根松木支架上，松木支架围绕着涂漆板的背面布置。框架是工作的组成部分。抽象画是帕斯莫尔在1959年至1963年间创作的一组绘画作品之一，它由单一广阔的色彩浓郁的地区所主宰。这些绘画中的形式虽然形状不规则，但起初非常简单，并且变得越来越复杂，由艺术家发展成为后来作品中交织的生物形态形式。

Title:Yellow Abstract

artist:Victor Pasmore

Date:1960 - 1961

Style:Color Field Painting

Genre:abstract

Media:oil,aluminium

Location:Tate Modern, London, UK

Despite its ochre colouring, this work was exhibited as Yellow Abstract in Pasmore’s exhibition at the New London Gallery in March 1961; the artist later explained: ‘Ochre can be a tint of yellow. But yellow is more poetic than ochre’. The majority of the image is built up from what appears to be decorator’s gloss paint applied over an eggshell white ground. The ground is visible on the edges of the panel and in some areas of its face. In contrast to the generally high level of gloss, areas of the artist’s later retouching to the left of the ochre lozenge shape and at the centre top have a matt finish; slight yellowing of the main white paint layer has rendered them more apparent. Pencil underdrawing can be seen along the right hand edge of the ochre form, while the broad black lines were painted with the aid of masking tape. Photography under raking light reveals that the ochre form at one time tapered upwards, almost to the top of the main panel, but was subsequently painted over. The plywood panel is mounted within a varnished pine frame, the inner face of which is lined with wood veneer to match that on the back panel. The panel is attached to the frame by screws from the back located into four pine supports arranged around the rear of the painted board. The frame is integral to the work. Yellow Abstract is one of a group of paintings dominated by a single expansive area of strong colour made by Pasmore between 1959 and 1963. The forms in these paintings, though irregular in shape, were very simple at first and became increasingly complex, being developed by the artist into the interwoven biomorphic forms of later works.