奥古斯特·赫尔宾(Auguste Herbin)高清作品《纪念碑》

作品名：纪念碑

艺术家：奥古斯特·赫尔宾

年代：1919

风格：抽象主义,立体主义

类型：抽象

1919年9月，莫斯科正在制定建设主义宣言，而马尔维希正在制作他的建筑师。Herbin通过与包豪斯的关系与俄罗斯思想保持联系。今年早些时候，赫尔宾在位于绘画和雕塑交界处的木制画布上创作了Objets纪念碑，它是抽象设计的巨大集合。这幅宏伟的作品是一组纯粹抽象的立体作品，探索建筑形式，例如花环、锯齿形和装饰边界。尽管绘画的抽象性和思想根深蒂固，但其效果却远未达到庄严的程度。各种颜色，如肉与灰色、奶油与巧克力棕色，相互交织，构成了一对爵士舞者令人愉悦的节奏。人们经常在平淡的色彩和随巴黎生动的城市生活而跳动的摇摆不定的三角形之间挑逗眼睛。

Title:Composition monumentale

artist:Auguste Herbin

Date:1919

Style:Abstract Art,Cubism

Genre:abstract

Composition monumentale was made in September 1919, the same year that the manifesto of Constructivism was being formulated in Moscow and Malevich was making his Architectones. Herbin kept in touch with Russian ideas through his connections with the Bauhaus. Earlier in the year Herbin had created his Objets monumentaux, huge assemblages of abstract designs on canvases mounted on wood, which lie at the border of painting and sculpture. The present imposing work is one of a group of purely abstract upright compositions which explore architectural forms, in this case garlands, zigzags and ornamental borders. Despite its foundation in abstraction and political ideology, the effect of the painting is far from solemn. The interlocking of colours, such as flesh with grey and cream with chocolate brown, sets up a rhythm as jaunty as a pair of jazz dancers. The eye is constantly being teased between areas of flat colour and the trompe l’oeil swags and triangles which pulsate with the vivid urban life of Paris.