费利克斯·德尔马尔勒(Félix Del Marle)高清作品《布雷顿》

作品名：布雷顿

艺术家：费利克斯·德尔马尔勒

年代：1913

风格：未来主义

类型：风俗画

菲利克斯·德尔马利的未来主义时期只持续了三四年，但他在这短暂时期创作的绘画作品加上他直言不讳地鼓励艺术风俗发生根本性的变化，使他在这个国际运动中占有重要地位。戴尔玛尔的《布雷顿尼斯》创作于1913年，也就是他在里尔附近的瓦伦西亚美术学院和布鲁塞尔完成学业后在巴黎定居的那年。也正是在今年，他与阿波利奈尔、马克斯·雅各布和立体主义者关系密切，与吉诺·塞韦里尼共用了一间工作室。通过塞韦里尼，德尔玛尔熟悉了意大利未来派的雄心壮志和理想，成为唯一的法国画家成为公开承认的成员，并扩展他们的宣言中所阐述的“普遍动力”。

Title:Bretonnes

artist:Félix Del Marle

Date:1913

Style:Futurism

Genre:genre painting

Félix Delmarles Futurist phase lasted only three or four years, but the paintings he produced during this brief period, combined with his outspoken encouragement for a radical upheaval of artistic mores, secured him an important place in this international movement. Delmarles Bretonnes was produced in 1913, the year he took up residence in Paris after completing his studies at the School of Fine Art in Valenciennes near Lille, and in Brussels. It was during this year also, that he became close to Apollinaire, Max Jacob and the Cubists, and shared a studio with Gino Severini. Through Severini, Delmarle became familiar with the ambitions and ideals of the Italian Futurists, becoming the only French painter to become an avowed member of their ranks and to extend upon the universal dynamism expounded in their manifestos.