爱德华·霍普(Edward Hopper)高清作品《自动售货机》

作品名：自动售货机

艺术家：爱德华·霍普

年代：1927

风格：新现实主义

类型：风俗画

材质：布面油彩

标签：家具和装饰，咖啡馆和餐馆

尺寸：91.4 X 71.4厘米

这幅画描绘了一个孤独的女人晚上在自动售货机里凝视着一杯咖啡。一排排灯具的倒影从漆黑的窗户伸出来。霍珀的妻子乔成了这个女人的模特。然而，霍珀改变了她的容貌，使她年轻（Jo是44在1927）。他还改变了她的身材；乔是一个曲线优美、身材丰满的女人，而一位评论家则形容这幅画中的女人是“男孩子气”（即，平胸）。“正如霍珀的画中经常出现的情况，这个女人的情境和她的情绪都是模棱两可的。”她穿着考究，化着妆，这可能表明她在去上班的路上或下班的路上，在个人外表很重要的工作，或者她正在去社交场合的路上。她很匆忙，只能停留片刻，或者简单地说她刚从外面进来，还没有暖和起来。但是后一种可能性似乎不太可能，因为在她的杯子和碟子前面的桌子上有一个小的空盘子，表明她可能已经吃了点心，坐在这个地方有一段时间了。

Title:Automat

artist:Edward Hopper

Date:1927

Style:New Realism

Genre:genre painting

Media:oil,canvas

Tag:furniture-and-decoration,cafes-and-restaurants

Dimensions:91.4 x 71.4 cm

The painting portrays a lone woman staring into a cup of coffee in an Automat at night. The reflection of identical rows of light fixtures stretches out through the night-blackened window.Hoppers wife, Jo, served as the model for the woman. However, Hopper altered her face to make her younger (Jo was 44 in 1927). He also altered her figure; Jo was a curvy, full-figured woman, while one critic has described the woman in the painting as boyish (that is, flat-chested) As is often the case in Hoppers paintings, both the womans circumstances and her mood are ambiguous. She is well-dressed and is wearing makeup, which could indicate either that she is on her way to or from work at a job where personal appearance is important, or that she is on her way to or from a social occasion.She has removed only one glove, which may indicate either that she is distracted, that she is in a hurry and can stop only for a moment, or simply that she has just come in from outside, and has not yet warmed up. But the latter possibility seems unlikely, for there is a small empty plate on the table, in front of her cup and saucer, suggesting that she may have eaten a snack and been sitting at this spot for some time.