鲜花养护

一些玫瑰和他们的幻影多萝西娅坦宁(Dorothea Tanning)高清作品欣赏

多萝西娅·坦宁(Dorothea Tanning)高清作品《一些玫瑰和他们的幻影》

作品名:一些玫瑰和他们的幻影

艺术家:多萝西娅·坦宁

年代:1952

风格:超现实主义

类型:比喻

介质:油画

收藏:泰特现代,伦敦,英国

一些玫瑰花和它们的幽灵代表了一个被神秘的喷发改造过的家庭世界,居住着无法命名的生物。桌面上放着松脆的白色桌布和熨烫褶皱的痕迹,暗示着一个安全的资产阶级仪式。一个反复出现的主题,白色桌布也可以在同一时期的其他作品中找到,例如,1952年《水煮鳟鱼》(私人收藏)和1954年《家庭肖像》(巴黎乔治·蓬皮杜中心,国家艺术现代博物馆),以及后来的《启示录》,1974年(米米·约翰)。儿子,纽约)家庭生活的主题在普通白板的前景中延续,但这似乎位于,或者说更奇怪地是,与精致的画布相融合。(Jennifer Mundy)

Title:Some Roses and Their Phantoms

artist:Dorothea Tanning

Date:1952

Style:Surrealism

Genre:figurative

Media:oil

Location:Tate Modern, London, UK

Some Roses and Their Phantoms represents a domestic world transformed by mysterious eruptions and inhabited by unnamable creatures. The table top setting, with its crisp white tablecloth and marks of ironed folds, suggests a safe world of bourgeois ritual. A recurrent motif, the white table cloth can also be found in other works of the same period, for example, Poached Trout, 1952 (private collection), and Portrait de famille, 1954 (Musée National d’Art Moderne, Centre Georges Pompidou, Paris), and later in Notes for an Apocalypse, 1974 (Mimi Johnson, New York). The theme of domesticity is continued in the suggestion in the foreground of a plain white plate, but this appears to lie under, or more strangely to merge into, the exquisitely painted cloth. (Jennifer Mundy)