莫里斯·刘易斯(Morris Louis)高清作品《赤褐色》

作品名：赤褐色

艺术家：莫里斯·刘易斯

年代：1958

风格：色域绘画

类型：抽象

介质：帆布

尺寸：235.6 x 441.1 cm

收藏：现代艺术博物馆（现代艺术博物馆），纽约市，纽约，美国

路易斯把稀释的丙烯酸颜料倒在倾斜的未着色的帆布上，让重力而不是画笔来决定它的流动和轮廓，从而制成了罗素。画中的两条黑色垂直线表明他在何处折叠了松散的画布，以指导绘画的各个部分。沿着画布的顶部，他用的充满活力的个别色彩在这幅原本沉默的、虚幻的绘画边缘显露出来。这幅作品属于艺术家在1954年至1958年间创作的一系列突破性绘画，因为水彩画的半透明层和波纹状的颜色池而得名“面纱”。这幅作品的标题指的是整个油漆的红褐色色调，像路易斯的许多作品一样，是由美国有影响力的艺术评论家克莱门特·格林伯格（Clement Greenberg）和这位艺术家的亲密朋友分派的作品。

Title:Russet

artist:Morris Louis

Date:1958

Style:Color Field Painting

Genre:abstract

Media:canvas

Dimensions:235.6 x 441.1 cm

Location:Museum of Modern Art (MoMA), New York City, NY, US

Louis made Russet by pouring thinned acrylic paintdown a tilted unprimed canvas, allowing gravity, rather than a paintbrush, to dictate its flow and contours. The two dark vertical lines in the painting indicate where he folded the loose canvas to guide the paint in sections. Along the top of the canvas, the vibrant individual colors he used reveal themselves in the edges of this otherwise muted, ethereal painting. The work belongs to a series of breakthrough paintings the artist made between 1954 and 1958, known as Veils because of the translucent layers and billowing shapes of their aqueous pools of color. The title of this work refers to the overall reddish-brown tone of the paint and, like many of Louiss titles, was assigned to the work by Clement Greenberg, an influential American art critic and a close friend of the artist.