胡安·米罗(Joan Miro)高清作品《农场》

作品名：农场

艺术家：胡安·米罗

年代：1921

风格：立体主义,素人艺术（原始主义）

类型：景观

材质：布面油彩

标签：房屋和建筑、乡村、田野和平原

尺寸：132×147厘米

一架倾斜得惊人的相机向观众展示了一个繁忙的西班牙马西亚或家庭农场。我想把我热爱这个国家的一切投入到那幅画布中，从一棵大树到一只小蜗牛。这位艺术家花了九个月的时间每天多达八个小时来创作这幅画，然后他努力在巴黎现代艺术市场找到一个买家，为立体派疯狂。在《农场》中，米洛结合了对原始主义的兴趣，也许回溯到他对加泰罗尼亚民间艺术的吸引力，以及立体主义词汇，创作了一幅奇怪而令人难忘的风景画，预示了他的超现实主义作品。他几乎疯狂的关注细节，其中精心渲染的物体是显示对赤裸，单色的空间扩大造成令人不安的对比。平面形式与精心渲染和造型的物体并存，这证明了塞尚和立体派的影响。

Title:The Farm

artist:Joan Miro

Date:1921

Style:Cubism,Naïve Art (Primitivism)

Genre:landscape

Media:oil,canvas

Tag:houses-and-buildings,countryside,fields-and-plains

Dimensions:132 x 147 cm

A dramatically tilted picture plane presents the viewer with a glimpse of a busy Spanish masia or family farm. Miró wrote of this work, The Farm was a résumé of my entire life in the country. I wanted to put everything I loved about the country into that canvas-from a huge tree to a tiny snail. The artist spent sometimes as many as eight hours a day for nine months working on this painting, for which he then struggled to find a buyer in a Parisian modern art market crazy for Cubism. In The Farm, Miró combines an interest in primitivism, perhaps harkening back to his attraction to Catalan folk art, and a Cubist vocabulary to produce a strangely haunting landscape that prefigures his Surrealist work. His almost maniacal attention to detail where carefully rendered objects are displayed against stark, monochromatic expanses of space makes for an unsettling contrast. Flattened forms exist side-by-side with carefully rendered and modeled objects, a testament to the influence of Cézanne and the Cubists.