多萝西娅·坦宁(Dorothea Tanning)高清作品《客房》

作品名：客房

艺术家：多萝西娅·坦宁

年代：1952

风格：超现实主义

类型：象征绘画

对的警醒审查，这是一种最受欢迎的民族娱乐活动，有时会很好地播放在我们手中。参观一家博物馆的地下室，馆长恰好是一位朋友，马克斯欣赏了一个漂亮的埃斯奎莫家的杆子，她坐在角落里。这是一个巨大的生育数字，从一棵树上雕刻出来，并用一个合适的裂缝，需要一个证明她的母性可能性。为什么这么漂亮的一张作品不是在画廊里展出的？马克斯问他的朋友。哦，但是我们不能在这里展示——几乎每天都有全班女生参观博物馆……这太糟糕了……“这是一件特别让马克斯难以理解的事，鉴于女孩们——无论如何希望如此——她们都有裂缝。自己的。对我们来说，幸福的是，经过一番谈判，我们获得了母亲的荣耀。（从那时起，她和我们一起穿越和海洋，就像最老练的旅行者一样）五年后我们一起参观同一个博物馆。卢浮宫的很多画作在战争中都保存完好，我们又见到了馆长并参观了下面的保护区。令人难以置信的是，这里是贝恩英格丽斯大清真寺，它躲着小姑娘，或者说老姑娘，无论如何，在防腐的美国是看不到的。这次访问发生在1948年，当时我们正开车回塞多纳。在离开博物馆和它的杰作之前，我买了收藏中的综合作品目录。在我看来，像邀请一个好朋友来分享我们的生活一样。

Title:The Guest Room

artist:Dorothea Tanning

Date:1952

Style:Surrealism

Genre:symbolic painting

Vigilant censorship of the erotic, a favorite national pastime, sometimes played nicely into our hands. Visiting the basement reserves of a certain museum with a curator who happened to be a friend, Max had admired a splendid Esquimo housepole leaning in a corner. It was a gigantic fertility figure carved from a tree and doted with an appropriate crack where one is needed to prove her maternal possibilities. How come such a stunning piece is not on show up in the galleries? Max asked his friend. Oh, but we cant display that here – there are whole classes of schoolgirls that visit the museum almost daily...it is too bad... This was something especially hard for Max to understand in view of the fact that the girls – it is to be hoped at any rate – all had cracks of their own. Happily for us, after some negotiating we acquired the housepole in all her maternal glory. (From then on, she moved with us across continents and seas like the veriest sophisticated traveler.) Five years later we visit the same museum together. An important number of paintings from the Louvre had been kept safe from the war, and we again meet the curator and visit the reserves below. Here, unbelievably, is the great Bain Turque of Ingres, hidden away from little girls or, perhaps, old ones, in any case, not seen in the antiseptic U.S.A. This visit took place in 1948 and we were driving back to Sedona. Before leaving the museum and its masterpieces I bought the comprehensive catalogue of works in the collection. It seemed to me something like inviting a good friend to come along to share our life.