坎迪多·波尔蒂纳里(Candido Portinari)高清作品《金的发现》

作品名：金的发现

艺术家：坎迪多·波尔蒂纳里

风格：壁画,社会现实主义

类型：历史绘画

《黄金马刺》的发现打破了部部壁画和世界博览会装饰。他放弃了许多船只在蜿蜒的河上漂浮的第一想法，把注意力集中在一艘只有一群人的船上。就像在第一个西班牙裔房间壁画中，他从一个遥远的一般视野转移到一个特定的特写镜头。在这两幅画中，都有强烈的兴奋；两者都代表着发现的瞬间，两者都是欢欣鼓舞的。但在这里，画家通过工人的手、举起、手势、抓握、按压的象征引入了一种更加疯狂的图案。在小船上、矿工的头发上、金光闪闪、微微闪烁的鱼群中，突然闪烁着不相关的色彩的闪烁，这幅画在色彩上给人留下深刻的印象，它标志着画家壁画风格向着形式和色彩的消解方向最远的演变，源自一系列实验油围绕着一个沉船的主题，PuriNARI在1941夏天制作的。

Title:Discovery of Gold

artist:Candido Portinari

Style:Muralism,Social Realism

Genre:history painting

In Discovery of Gold Portinari broke both with the Ministry frescoes and the Worlds Fair decorations. He abandoned the first idea of many boats floating on a winding river to concentrate on a single boat with a single group of figures. As in the first Hispanic Room mural, he moved from a distant general view to a specific close-up incident. In both paintings there is violent excitement; both represent the tenseness of the moment of discovery; both are exultant. But here the painter introduces a more frenzied pattern through the symbol of the workers hand, raised, gesticulating, grasping, pressing. Impressionistic in color in the sudden brilliant strokes of unrelated colors on the skiff, in the hair of the miners, in the glint of gold and the tiny gleaming fish, this painting marks the farthest evolution of the painters mural style toward the dissolution of form and color and derives from a series of experimental oils centering around the theme of a shipwreck, which Portinari made in the summer of 1941.